There have been a lot of prejudices about women from postsocialist Europe. At the intersection of dehumanization https://www.theguardian.com/books/2023/feb/27/ill-always-be-a-bad-feminist-roxane-gay-on-love-success-and-upsetting-piers-morgan and class-based constructions, these discriminatory prejudices are frequently forged. Some European ladies are portrayed as attractive pussies and luts, but others are viewed as poorer than their northern counterparts. Stereotyping Eastern Western women to make a comedic film is incredibly offensive and problematic in today’s basically politically correct society.
Another instance of this is the new disagreement over the Serbian professor’s remarks toward his individuals. Although the contemporary media has praised the college for taking behavior, there is no mention of how his swiss women statements could had affected the properly- being of these girls.
In the movie“ Melanianade“, Mt’s presumably“doll- like“ appearance and her excessively lavish jewelry, designer clothing and accessories resembles the enthusiastic style of upper- class pale American conservatives. Additionally, it goes against the stereotype of Eastern European girls as beautiful“bitches“ and girls who seek to utilize wealthy and powerful men from different nations.
This depiction of Southeast German women is a manifestation of muscular nationalism, in which men are seen as the guardians of the economy while women are expected to become stay- at- home mothers and wives. In this context, Eastern European women are portrayed as „gold diggers“ as a reflection of post-soviet countries ‚ gender disparity and the dominant status of patriarchal attitudes. Additionally, this sexist stereotype contributes to the perception of post-soviet women as artificial, attention-hungry Barbie dolls.
